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Neds and Latino film winners






Film Festival of San Sebastian on Saturday ended doubly rewarding Ned s , film actor and Scottish director Peter Mullan. Neds won the Golden Shell for best film and the Silver Shell for Best Actor for Connor McCarron, the protagonist of 17 years. Ned s , uneducated and criminals, is the story of a poor teenager who becomes Glasgow gang and crime through social pressure. Mullan, who these days is shooting with Steven Spielberg, has already won at other festivals. In 1998 he won the award for the best performance at the Festival de Cannes (1998) by My Name is Joe , Britain's Ken Loach, who has worked on other films. His feature film The Magdalene Sisters ( Sisters of the Magdalene ) received the Golden Lion in Venice (2003). photos up © Film Festival San Sebastian 2010 .

Latin cinema clear winner
Latin cinema garnered several awards in this year's Festival. Official Section, Chilean Raoul Ruiz took the Silver Shell for Best Director for Mysteries Lisbon.

The Kutxa-New Directors Award went to the hands of the Colombian film colors of the mountain , the directorial debut of writer / director Carlos César Albeláez (to left) , endowed with 90,000 euros. "Through its deceptive simplicity and modest resource use film, the film gets show the fragility of human integrity in the midst of an armed conflict ", the jury noted. Uruguay received special mention The life of Frederick Veiroj, " for his sense of humor and Mane ra to mock our passion by ci ne, as well as showing great love of life ".

The Mexican Abel, directed by Diego Luna and produced by John Malkovich and Gael García Bernal, won the Horizon Award, endowed with 35,000 euros. "for his powerful film proposal, both visual and sound and music. And po r freshness and the birth of a new voice that uses the obstacles and lack of resources as a tool to tell a personal story and universal salt both ", said the jury. Special mention went to Mexican-also- A stone's throw from Sebastian Hiriart "for his powerful film proposal, both visual and sound and music. And for its freshness and the birth of a new voice using the obstacles and lack of resources as a tool to tell a personal story and universal while ", the document of the jury. Up, Diego Luna and John Malkovich.

On the other hand, the Argentine film Cerr or Bayo, Victoria Galardi (left, with actress Veronica Llinas) received TVE Award-Another Look 2010. The jury said it awarded him concentrated in the small universe of a family multiplicity of cough feelings and aspirations of three generations of women have men without relying on them " .

Film Award in Construction Industry, which focuses on support to end the winning production was for E mong night and day Bernardo Arellano (Mexico .) Meanwhile, House of America Award for Aid to the Post-Latin American film production earned him a movie Assault , Iria Gomez, also from Mexico.

Finally, the Ninth International Student Film Award given to the Cuban film Panavision The minutes, hours , Janaina Marques, International School of Film and TV. The third prize went to Meeting Ambien family you Carlos Leiva, of the Pontificia Universidad Católica de Chile.

to track
Official Section, Home for Christmas (Home for Christmas), the Norwegian Bent Hamer (side) , won the Best Screenplay. The film tells several stories of lives of the inhabitants of a Norwegian people using as pretext the context of Christmas. It is an approach to gently life, death and love, with characters of different origin, and which highlights the presence of migrants. The film is based on a series of stories of Norwegian writer Levi Henriksen.

The documentary How much does your weigh building, Mr. Foster? (much weight his building, Mr. Foster?), Norberto Lopez Amado and Carlos Carcass, won second place in the TCM Audience Award, and was awarded 35,000 euros. It is a fascinating journey through the life and work of one of the great architects of this century, Britain's Norman Foster. Top Foster with their managers.

The Festival in pictures







Photo 1/John Sayles, director of Amigo . Photo 2/Richard Jenkins, one of the protagonists of Come pray love. Photo 3 / Claudia Llosa, Peruvian filmmaker and jury member of the Official Section.






Photo 4/Joel Torre, star of Amigo. Photo 5/Directores and producers of the films participating in the section Films in Progress. Photo 6/Javier Bardem and Julia Roberts star in Eat pray love.

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Three San Sebastian in San Sebastian looks South American

58 of Editing Film Festival San Sebastian is an important showcase for productions from different countries of Latin America, many of which have been well received by audiences and critics, including three South American countries: The colors of the mountain (Colombia), N ostalgia of lu z (Chile) and October and (Peru).

mountain colors (Colombia)
Children are the heart of this film directed by Carlos César Albeláez. It focuses on the friendship of three children: Manuel (Hernán Mauricio Ocampo), Julian (Nolberto Sanchez) and Low Light ( Genaro Aristi Zabalo ) , for whom his favorite pastime is soccer. One day playing soccer lose the ball that will give a minefield. Since then her rescue becomes a vital objective, regardless of the hazards involved. Photos © Film Festival San Sebastian 2010 .

The film, co-produced by Colombia and Panama, was shot in the department of Antioquia. The armed conflict is filtered through the eyes of children. They are immersed us in everyday reality and cruel of the inhabitants of a town that 'lives' with the paramilitaries and guerrillas. "There is a p elícula of guerrillas and paramilitaries, but the friendship between children. I tried to use little music to keep from falling into the melodramatic ", told me Albeláez (in photo above with producer) .

language and humor used by children is commonplace, and that, in part, their development makes it feel natural. "I am very grateful to have found this role to a child as Manuel. Transmitted naturally, something that is not easy to find. It seems as if the script had been written for him, and has not been so ", accurate. The theme of the armed conflict in Colombia has been so often addressed by the film, but rarely from the original look. "The scene I love is that of Julian Manu showing the different tip years of bullets, because it symbolizes and shows the war in Colombia so innocent and real. "

Children are not professional actors, and finding them took time. "preparations and make r they become true friends, it took two years," continues Albeláez . Manuel and Julian are originally from Antioch, the first and second Sonsón Garden, while Low Light, one of the albino children, and provied a displaced family .

is one of the few films that received applause for several minutes at the festival. Is in competition in the Zabaltegi - New Directors. San Sebastian, the film goes to the Festival of Biarritz (France) and half a dozen other festivals. The premiere will be in Colombia in February. Photo above, Albeláez presenting his film. © Film Festival San Sebastian 2010 .

mountain colors was completed in nine years. Along the way, and about to be shot, he died the producer and stopped for almost two years. When they did so to seek funding from institutions like the Film Development Fund of Colombia. The film won this year's Award Films in Progress 17 in Toulouse (France). Nostalgia

light (Chile)
is the recent documentary by Patricio Guzman (Santiago de Chile, 1941), the number twelve in his film career. Nostalgia Light , explore, along with two other Chilean films at the festival ( Lucia and Post mortem), the subject of the military dictatorship from a personal perspective and linking the last from three areas that seem far: astronomy, archeology and relatives of the disappeared in the Atacama Desert. "It was hard because they do not cross lines. The astronomer looks in the distant past, the archaeologist in the distant past more recent and women looking for their missing years, also in the recent past. It took me to get cross, because that did not depend on me but the characters could find. S i not, could not do the film. It was a lucky find, for example , an astronomer who expressed his pursuit and the women is practically the same ", Guzman had for breakfast Horizons. Photo 1 © Film Festival San Sebastian 2010 .

The Atacama desert (3000 m) are an astronomical observatory and the old mining camp of Chacabuco in which the dictatorship remained the largest concentration camp, and this is where women searching for their dead.

Guzman and his seven characters introduce us to a fascinating story, yet painful, magical desert scenes, and landscapes with color and light contrasts. It is a poetic and "full of metaphors, "Guzman say. The characters (the astronomers, archaeologists and women searching for their missing relatives) seem connected and involved with the story, and move comfortably in a story that is yours. They can see when they are silent, they cry, or want to keep talking. "In interviews for a documentary is very impo rtantes breaks. When you shut a person must be respected and not be cut ", accurate.

Guzman worked for four years in the production of the documentary , which competes in the Latin Horizons section, period that it is normal and justified by saying it is slow. "The time that we have invented false ado: the video clip, the publicity is an artificial time, and it is not necessary to assume that speed, because we eat, walk, travel faster than it corresponds to our body. Cinema and art have fallen into that acceleration does not make sense; happily retrieves the documentary shows us the life time, the silence " he said. Nostalgia

light premiered at the Cannes and Lima, next month will be screened in cinemas in France and in Chile in March.

October (Peru)
is the directorial debut of brothers Diego and Daniel Vega and is also competing in the Latin Horizons section. Its premiere in San Sebastian could not have been better timed. Has won this year's Jury Prize in the section Un Certain Regard (A Certain Regard) at the Cannes Festival and other awards at festivals in Croatia and Ukraine. Already opened in Prague festivals, Toronto and Lima. Next week will participate in the Festival of Biarritz (France), and then in Korea, India and London. In October will be released in cinemas in Germany, Switzerland and Peru, in January in France and Canada.

October is an important month for Peruvian religious fervor. Is the month of Lord of Miracles, the most revered saint of the population. Everywhere Masses, processions, and many have a habit purple. However, in Lima where he lives with more fervor in the streets and mass processions. As of October is known as the month of miracles, not by chance that the brothers have chosen this month Vega symbolic for the title and tone of the film. October

is an original story about characters of the lower middle class Lima, who live day to day. The protagonist lender is a lonely, laconic, hard and distant, but not insensitive, whom you most interested in is money, but his life takes a turn when you leave a baby at home. Religiosity shows with ease and not feel the presence of the camera.

end seven years took this film, a period that helped them evaluate and re-read the script many times. "Before completing a film project is necessary quit breathing for a while . Does not mean you have to spend seven years ", Diego says laughing. "When you write the script without the funding that's a first version, the path is modified, depending on resources trying to understand the story better. Revisions are made in depth. That's why the final script do not always include all the proposed scenes in the first " he reflects.

October and has its own life and will continue in its promotional stage at festivals, so the Vega brothers have begun work on his second feature. "We are working on our next project and festivals in which we are participating to help us talk about it and maybe find interest to co-produce" , ends Diego.

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diversity reigns in San Sebastian Festival

If one word can sum up what this edition of Film Festival San Sebastian would be diversity. Is the word that unites the different styles, length, subject matter and origin of the films. Examples can range from Lisbon Mysteries, which seems to last forever (almost four hours), loves to pray Come , Caran cho, Norberto afternoon just and documentary Aral, lost sea.

This variety must be added the great weather is in these days, contradicting the predictions of rain. They are bright, sunny days, more than spring to autumn, which makes the city look more beautiful and full of contrasts of light, which leads you on the beach or the mountains. Yet this has not dampened the enthusiasm of the public and the queues at the cinemas are still long. Mysteries

Lisbon (Portugal)
is a Chilean film directed by Raoul Ruiz (1941), which has many positive qualities, but one aspect that stands out is its duration (4 hrs. 16 m. ) because that was screened in two parts with a pause. This is a rarity today, since most Movie last half or less. The film is based on the book of Portuguese Camilo Castelo Branco on the life and miseries of the nineteenth century Portuguese aristocracy. Born as a TV series, whose duration is longer (6 hours 55 minutes) and some scenes that the difference of the film.

Ruiz defended his film, which is competing for the Concha de Oro, with good humor. said "wanted to have the breathing space to make the film and ensure that the public would not" . Acknowledged that he approached the Mexican soap opera genre and more interested in emotion that could produce. With Lisbon Mysteries "closes a cycle of life" he said.

One of the functions, the room emptied and we were just all the way and some of those who stayed took us follow the thread and the emotions that are present in the first half. Is lost at times in short stories that perhaps could have been saved, and nothing happened. It has ingredients that trap, from the plot, photography, landscapes, dialogue and character relationships. To Paulo Branco, producer of the film, what the duration would not be a problem for massive exhibit and said "if a story is good is achieved public ". He added that he secured releases in many countries, and San Sebastian Film Festival went to Rio. Come

reads loves (USA) Directed by American
Ryan Murphy (1965), is another of the films made in Hollywood. Is based on what happened in real life to the American writer Elizabeth Gilbert. Has been included in the official section but out of competition, taking advantage of the presence of Julia Roberts, its protagonist, to receive the Donostia Prize this year. It is a simple movie, and very stereotyped speech, which seems a manual on how to get out of a personal crisis by going in search of good food, prayer and love on two continents (Italy, India and Bali). Julia Roberts is the star start to finish, and the excellent actors that surround it, Javier Bardem and Richard Jenkins, appear in supporting roles and bit demanding, but make more bearable than two hours. Both actors were in San Sebastian with Roberts (photo 1/Roberts and Murphy, photo 2/rodeada Bardem and Jenkins) .

Roberts's popularity is visible and no matter what role you do, your loyal audience will ensure the success of the productions in which he works. In San Sebastian, with a different festival, was a bit of hysteria in the audience, and his presence drew circles around the city. For one day was like being in a circus. Thousands of people in front of his hotel, and everywhere he appeared. The same happened to the hundreds of journalists and photographers who do not know where I came, because for other press conferences as actors or directors are not Bruno Ganz.

Carancho (Argentina)
is the sixth feature from Argentinean Pablo Trapero (1971), who this time is the official selection jury. The film's title refers to a scavenger of La Pampa Argentina always stalks his prey, said its director and screenwriter. Carancho is the office of attorney Sosa (Ricardo Darin), who each night looking for potential clients of traffic accidents. These accidents cause death in Argentina more than 8,000 people a year, which becomes a lucrative business for the entire chain of stakeholders (doctors, policemen, lawyers, business) corrupt.

Carancho is a brave film, intense with a complex subject, but Trapero (with M. Gusman) , with that ability he has and who has already demonstrated above This crumbles with relative ease, supported by the excellent Ricardo Darin and Martina Gusman and his wife and muse. In the movie there are no concessions, no violence, blood and blood, understandable in the context. With this film, as with Leonera , Trapero has returned to move the foundations of society and politics in Argentina. Following the film is promoting the Act 'anti carancho', which seeks to regulate the work of insurers and prevent further casualties. It is the most popular film in Argentina this year. In San Sebastian is in section Zabaltegui out of competition. Norberto

afternoon just (Uruguay)
is the first film directed by Uruguayan actor Daniel Hendler (1976), whose career is already known at international festivals. Won several awards including the Silver Bear at the Berlin Film Festival for Embrace by Daniel Burman. Uruguay is a co-Argentina which is immersed in the life of a normal middle-class character who stays out of work and going through a period of much confusion. Norb Erto afternoon just is competing in the Latin Horizons section . A Hendler it took several years working in this film, which ended with the support they gave the previous edition of Films in Progress. So far it has been released in film festivals in Locarno (Switzerland), Toronto (Canada) and Rio (Brazil). He does not hide the desire to return to participate in the Film Festival (Peru), which was already won a prize.

I found a movie that had some autobiographical, and Hendler (side) confirmed. "It is true, is somewhat autobiographical. The action comes to me through the lie. As a boy lying on top a lot and did well. Then I began to agonize ", I said. Then I made the comment that I looked like a movie too Uruguay, and he said yes. "The idiosyncrasy is from Uruguay, and the context in which the characters move is everyday in my country" . Hendler in San Sebastian was joined by actor Fernando Amaral (left) , star of the film, who said before reading the script and told him that if Hendler. "I loved that he thought of me for this role and when I read the script I liked the rarity of the character, who flees permanently rather than face their problems ... perhaps understandable because it is undergoing a period of confusion ", accurate.

Aral Sea lost (Spain)
is a documentary of the famous Catalan director Isabel Coixet (1960). In brief (25 minutes) but clearly explains about the ecological disaster happened to the Aral Sea, located in Central Asia and between Uzbekistan and Kazakhstan, which became only 20 years in the desert. British actor Ben Kingsley narrates the tragedy of her wonderful voice. The film premiered at San Sebastian in section . Doc-new ways of nonfiction and has been produced by the We Are Water Foundation, which includes four NGOs (UNICEF, Fundación Vicente Ferrer, Education Without Borders, Oxfam).

Coixet said the project was born from an obsession endorsed by the Aral "I could not believe that a sea is gone in two decades and instead has become a desert" . Aral is an excellent tool for raising awareness of the ecological disaster caused by man. The author of the soundtrack is the actor and director Tim Robbins, who has worked with Coixet in The secret life of words. Kingsley has also worked with Coixet, he starred alongside Penelope Cruz in Elegy . Photo 1/Coixet with production equipment.