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"Song of the Cherubim" with the Coro Nacional of Spain

24/05/2011 Ariel Hernandez Roque, National Choir of Spain

Date: 24/05 at 19:30
National Music Auditorium. Chamber Hall


National Choir of Spain Mireia Barrera, director

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Programme: Franz Schubert

• : Chor der Engel
• Joseph Rheinberger: Kyrie of the Missa sanctorum omnium, for mixed choir and organ
• Joseph Rheinberger: Angelis suis, for mixed choir and organ
• Felix Mendelssohn: Beati mortui for male chorus a cappella
• Felix Mendelssohn: Laudate pueri, for female choir and organ
• Benjamin Britten: A Hymn to the Virgin
• Joaquim Homs: Agnus Dei Mass for chorus a cappella
• Francis Poulenc: Quem vidistis pastors dicite
• Francis Poulenc: Hodie Christus natus est
• Francis Poulenc: La Blanche Neige
• Bernat Vivancos: Nigra sum, for female choir a cappella
• Krzysztof Penderecki: Song of Cherubim
• Javier Busto: O Magnum Mysterium

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Shostakovich, Tchaikovsky and Prokofiev with the National Choir Works

13/14/15- Ariel Hernandez Roque 05-2011 with the National Chorus

Date: 13/05 at 19:30, 14/05 at 19:30 and 11:30 am 15/05 to

Auditorio Nacional de Música (Madrid). Symphony Hall

National Orchestra and Choir of Spain
Rubén Gimeno, Director - Joan Cabero, CNE director

Midori, violin Ekaterina Gubanova
, mezzo

Program: Dmitri Shostakovich

Funeral March of the Great City
Pyotr Ilyich Tchaikovsky
Violin Concerto in D major, opus 35
Sergei Prokofiev
Aleksandr Nevsky (Alexander Nevsky), opus 78

See concert program in the page National Chorus.

04/30/2011

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Eight centuries of painting India in Zurich

The path of the masters. The great artists of India, 1100-1900 ', exhibition that recently opened Rietberg Museum (May 1 to August 21) in Zurich, is a fascinating and interesting approach to the history of painting in India. Eight hundred years compressed into 240 paintings of 40 masters, whose legacy has helped to enrich the national identity is now known worldwide.

The exhibition is special and unique. "is the result d and decades of careful TIO investigates n. Pa ra identify each of the artists had to descend deciphering the signatures of size m ic ROSCOP , search for records or s of artists by name and genealogy a, oh ac er tions compared matic system Styles said Jorrit Britschgi, project director and curator.

landscapes, animals, icons of the Hindu religion, wars, sultans and emperors were recorded and emerge in the eyes. The works have an extraordinary beauty and delicacy. abound in prune, they can be captured with the help of magnifiers. The show opens with manuscripts of the twelfth century, and closes with twentieth-century paintings in large format in which shows the influence of photography.
The forty artists are men. Where were the women. There were no painters? The answer is yes they unfortunately could not identify a sufficient number for submission. The world of each artist is backed by several of his works. There is a chronological approach, rather they have used other considerations, one of them the land. Fig. 1 / Autoretro cough and portraits of artists (Daulat) 2/The Prince Salim on his throne (Mansur and Manohar) 3 / Krishna playing blind man's buff (Manaku) 4 / Raja Balwant Singh of Jasrota ndo provides a paint with the painter Nainsukh (a contributed to Nainsukh) ; 5/Dialéctica ( 'Abu'l Hasan). Photos © Museum Rietberg Zürich.

Some artists are part of a family and what is highlighted are the differences in styles. "If, for example, one sees the c Arrero Manaku the two brothers who were captured and Nainsukh Acito in the studio of his father in Guler, the differences are interesting s. Whereas qu e Manaku was closer to the traditional painting style of his father was Nainsukh established in another court and there developed his own unique pictorial language, which emphasizes the use of new naturalistic elements, "says responsible for curaturía.

The exhibition also reveals the context surrounding teachers, travel or travel into and out of India. The painter Farrokh Beg (1580-1619) was formed in Khorasan, in central Asia, and worked in Kabul (Afghanistan), Lahore (Pakistan), Bijapur and Agra (India), seeking, among others, patrons who support his career. Museum Rietberg

conceived the show, initially, only seen in Zurich, but then, given its importance, the Metropolitan Museum in New York and joined the host from September, although eighty percent. The works come from loans of more than forty institutions, including museums, art galleries and private collections in India, Europe, USA and the Middle East.

The stage is complemented by the lights, colors and floor. The space devoted to each of the painters is as a kind of split screens in blue, orange, green and yellow. The first room is a dynamic space in which delicate blend white curtains to separate the room for live events, with the materials and products that painters used, and a children's video, produced in conjunction with a Swiss school.

An ambitious two-volume publication in English, which could serve as a basis for future research, accompanies the exhibition. In one room you can see the Indian film director Amit Dutta, Works of an Indian Painter on Nainsukh (1710-1778), the largest eighteenth century Indian painter. The work of distinguished artist is recreated in this process visual images are loaded and seem magnetism take their own life.

For the density and abundance of information, visit requires several hours. To this must be added to the list of events to be held during the exhibition is extensive. One of the most anticipated events is the discussion group between two excellent contemporary musicians: The American Philip Glass and the Indian Trilok Gurtu, the latter ending with a concert Table. Indian Perceptions


Indian journalists Bharadwaja Rangan (Chennai), Aveek Sen (Calcutta) and Swaminathan Kalidas (Delhi), art critics who came especially for the inauguration, were happy and proud. "We were in India a sample as the Rietberg, covering many centuries and so many talented artists. The exhibitions that we often include some parts of our history of painting ", noted Kalidas, who hopes that this project can be seen in his country. From left to right: Bharadwaja, Aveek and Kalidas, respectively.

Aveek Sen, a specialist in European art, she described her feelings with a strong sensitivity and intensity. " is a wonderful experience. It's something surreal to see the art of my country, something that is deeply familiar in form and detail, in a country abroad (Switzerland), presented in German and in the museum where Richard Wagner composed my favorite opera (Tristan and Isolde) ". Rangan Bharadwaja as stated: "It's a fantastic exhibition, because painters revalues \u200b\u200bdenied at the time, and rescues the art and painting techniques daily, for which I have been losing a bit of admiration, such overexposed time because they are there all the time. "

Photos © Liana Cisneros, with the exception of five belong to the Museum Rietberg.

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Easter to Mitsuko Uchida

When these day the news from Japan are still disappointing and tragic to see in concert with pianist Mitsuko Uchida (1948) is cause for celebration, life, beauty and music. Uchida excellence is felt constantly, and no exception when he played the Quintet in E flat Major for Piano , Ob oe, Clarinet, Horn and Bassoon op.16 by Ludwig van Beethoven, in a of its two performances at the Easter Festival in Lucerne (9-17 April).

The Japanese pianist is known for playing with majestic works of Beethoven, one of his favorite composers. Beethoven (1770-1827) composed his quintet piano in the late eighteenth century, inspired by the Quintet in E flat Major KV 452 by Wolfgang Amadeus Mozart (1756-1791).

Uchida was accompanied by four musicians from the Symphony Orchestra of Bavarian Radio (Symphonieorchester des Bayerischen Rundfunks ), including the English Ramón Ortega Quero (oboe). Uchida, who played only the first part, imbued his performance of subtlety, precision and elegance, and bursts of enthusiasm to dive at certain times of the segments that make up the work. He retired in the midst of intense applause. The second part was conducted solely by eight musicians of the Orchestra Orchestra of the Bavarian Radio, who performed the Octet for two violins, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon the Austrian Franz Schubert (1797-1828). Mitsuko Uchida

born on the outskirts of Tokyo (1948) and the twelve years he went to live in Austria to receive a thorough musical education. His interpretations of Mozart, Franz Schubert, Alban Berg, Arnold Schoenberg, Anton Webern and Pierre Boulez are also held, and some of them have won major international awards.

During this short festival were thirteen concerts, which attracted nearly 15,000 aa. The director Dutch Bernard Haitink (above) and the Chamber Orchestra of Europe highlighted, among others.

Daniel Barenboim and many more in Fe Summer Stival
Once the Easter Festival, attention and efforts began to focus on the long awaited Summer Festival, which this year be held from 10 August to 18 September. It seems that everything is ready and in a week will go on sale tickets for concerts and other events.

As usual, the festival brings together the best of the best, including orchestras, conductors and soloists. Some concerts are simply unmissable as directors Claudio Abbado and Pierre Boulez , two giants that are the hallmarks of the festival, several concerts or Israeli-Argentine director Daniel B to r enboim , along with the West-Eastern Orchestra Divan or next to the Berlin Staatskapelle. Barenboim family-together-will be installed for a while at the festival, because Elena Bashkirova , outstanding Russian pianist and wife of Latin American director, as well as their son, Michael (violinist), make their respective presentations.

Some of the bands that parade through the festival are the Berlin Philharmonic, Vienna and Israel and the Chicago Symphony. Within the list of directors are Daniel Harding, Riccardo Muti, Charles Dutoit, Simon Rattle and Zubin Mehta. Among the soloists are the pianist Maurizio Pollini, Hélène Grimaud, Jean-Yves Thibaudet, Tzimon Barto, the soprano Christine Schäfer and Barbara Hannigan, violinist Anne-Sophie Mutter, and the list goes on. Not to mention the more than 100 young musicians from around the world that make up the Academy led by Boulez Festival.

The theme of the next festival is the 'night. "will focus on visionary composers and dreamers, mystics and masters of the dark sounds. Dedicated to the darkness and the unconscious, music itself is the art of the Night ", explained the executive. Will explore five different aspects of the night, one model 'from darkness to light ' with Beethoven and his successors, one on Anton Bruckner, the great mystic among symphonists, and Insomnia. The latter developed by the Swiss artist Charlotte Hug, one of the two 'guest stars' at the festival. Hug installed at the Museum of Art Lucerne your musical-visual displays Insomnia, also lead a panel discussion on the relationship lack of sleep and the music will play viola, improvise with his voice, and submitted together with the Academy Festival in its new composition, Nachtplasmen , for orchestra and video.

Charlotte Hug, who lives between London and Zurich is passionate about his work, and talking radiates vitality and energy contagious. He said his project for the festival is transdisciplinary (not interdisciplinary) because the elements, visible and invisible, that are part of the music to merge inseparably interpenetrate. The sketch he designed for this occasion capture their ideas (above. Photo © Liana Cisneros) .
Photos © Lucerne Festival .

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pace of life in Bhutan based on Buddhism (III) Bhutan














white Stupas, temples and monasteries through the mountains, colorful prayer flags moving to the rhythm of the wind are some of the images associated with Bhutan and, in some way, causing them to go back. Once there the images multiply and take on something of a mystery when the clouds and haze enough. There are other scenes that are consistent: Children with red tunics memorizing Buddhist prayers (bottom photo 1) , monks going from one village to another (photo opposite) , or girls with short hair in preparation for nuns (photo 3) . In the more than 2,000 temples and monasteries around 6,000 monks live.






Everyday life is profoundly articulated with stories, legends, myths and Buddhist beliefs. It is difficult to know which is which, or where one starts and another ends. Everything is seen through the lens of Buddhism: Art, culture, politics. Buddha or Guru Padmasambhava, also known as Guru Rinpoche, and others, are deities whose representations are everywhere. The dzongs (strong / monastery) work divided into two: One half to public administration offices and the other for temples and monasteries.





prayer flags of five colors are placed in the most diverse sites. White represents the sun and moon, yellow for air, water red, green, blue fire and earth. "S and believes that prayer flags are Take as the wind to spread the goodwill and compassion in all areas to benefit all. It is strategically placed at high points Egic from onde d can see a river, following a belief qu and the prayers will be transported co tions n wind-drift by the river on their long journey. However, if the flags are hung on astrological dates and address unfavorable s, are believed to bring negative results ", Lily has Wangchuhuk in Facts about Bhutan: The Land of the Thunder Dragon.










Some of the temples and monasteries, some more spectacular than others, in the west of the country, Paro, Punakha timpu and several of them over 2000 meters. Some have a prime location amid mountain from which there could be no better view of the landscape or river banks. The Punakha Dzong (top photo 7) , or Palace of Happiness, is at the confluence of the Mo (female and quiet) and Po (male and moved). Meanwhile, the monastery Taktsang or Tiger's Nest (Nido del Tigre), one of the most sacred, is a mountain in the Paro Valley, which by far seems inaccessible (Figure 8) . Getting there takes about an hour and a half foot, but there are horses who do not want to walk. In the temples are the most exquisite religious rituals, which, like the beauty of them only can be stored in memory because it is forbidden to take photos.

population prays and turns the prayer wheels as often as you eat, and their daily lives is influenced by astrology. "The Bhutanese consult astrologers and, therefore, perform rituals s on all important occasions for birth, death the marriage official, ias ceremono at home before you travel or when they feel bad. Bhutanese tradition is steeped ada pattern of Buddhist imonio ", accurate Wangchuhuk in his book, one of the few publications to access relevant information about their country.

Chimi Lhakhang temple or fertility






Chimi Lhakhang temple is located in the Valley Gangtey (4000 m), amid rice fields that must be traversed. It is one of the temples visited by couples who want children. The temple is dedicated to Lama Drukpa Kunley, known for his outrageous behavior and sexual vigor. They say that in the late fifteenth century dramatized his teachings on these issues, partly because they call it the Divine Madman.












Fertility is represented by the penis, which is also a symbol of good luck. It is painted on the facades of houses for the rich or poor, in stores such as key chains, masks and wood reproductions. "It's the best for luck. It's a good thing for us, ", told me a seller of art objects and antiques. The 'original' because of its size in the valley of Paro (top photo 2) . "To be lucky is to load" , 'said the guide who accompanied me. Photos © Liana Cisneros.